The line, entire.

300ml

The first pour should feel like warm silk, not soap.

300ml

Weight without drag — the length lies smooth and still looks like hair.

200ml

A mask that behaves like an hour of quiet, and leaves the hair heavier with light.

50ml

The finish you notice only when the light does.

150ml

Prime the hair, then leave it alone.

300ml

A wash that feels like cashmere meeting water.

100ml

Oil that reads as skin, not as shine from a bottle.

200ml

A lotion that disappears and leaves the body finished.

180ml

Polish, gently, until the light has something to hold.

20 pieces / 50g

Tape-ins cut to move with her own density.

50 strands

Keratin tips, strand by strand, matched to the color she is known for.

100g

A hand-tied weft that falls as one weight with her hair.

160g, 5 pieces

Evening length, on and off, without announcing itself.

6" × 6" silk base

A silk-base topper for the parting that had gone thin.

18"

A lace front made to her density map, not to a cap size.

One of a set

Fresh bloom and silk petal — a comb piece, never plastic glitter.

220ml

A balm that melts to milk, and leaves the face feeling dressed, not stripped.

150ml

A mist that settles the face, with orange blossom that stays near the skin.

150ml

A mineral veil with argan, so the day sits on skin that still looks like skin.

50ml

The morning veil in a 50ml bottle, for a day that starts somewhere else.

200ml

A rich night cream that leaves the face looking kept by morning.

150ml

The night cream in its 150ml jar, still rich enough to be the last step.

140ml

A fine silk powder polish — slip, not grit.

50ml

Squalane and argan, with a trace of orchid. Pressed in, then forgotten.

50ml

The lilac primer. Slip under color, so the face still moves.

50ml

The sage primer. A soft matte, so color stays where she placed it.

50ml · Atelier 04 Honey

A radiance foundation that looks like light on her shade, not like coverage.

Plum case

Nudes, plum, gold, and a night green, in the plum case.

Compact

A sheer powder that quiets shine and leaves the skin looking like skin.

Compact

Plum rose cream color, the kind that looks like it came from her.

Compact

Warmth at the edge of the face, never a stripe.

Bullet · Night Orchid

Six shades, from Night Orchid to Noir Plum. Color that stays a whisper.

Lacquer · Rosewood

Rosewood, Mauve, or Plum. A lacquer with color, not a sticky shine.

Slim · Petal

Four slim shades — Petal, Rose, Berry, Plum — for a precise mouth.

Tube

Lashes that read as hers, only decided.

Pencil · Plum

Plum or noir, drawn close to the lashes and then softened.

Carry-on

A carry-on that arrives upright, four gold wheels still quiet.

Structured

Structured carry. The plum-to-rose is already the logo.

Weekender

Monogram canvas and plum leather. Gold that fastens, rather than flashes.

Flap

A flap, a gold chain, a clasp that closes the day.

Fitted

A gold handle, and a case fitted so the ritual is already packed.

100g

Almost unsweetened. A low tannin, then wet stone and cocoa husk.

100g

The roast is audible. Salt is a flake, so the bar blooms late.

100g

A rumor of earth under the cacao. One square is the serving.

100g

Red fruit under seventy-five percent. Acid in the right place.